Star Trek Social Club

Kirk gets a mysterious call in the middle of the night from a woman he's never met asking weird questions and his response is to ask her out

10/10 Kirk behavior

The more I think about this episode the more impressed I get. There's so many small moments where they could have taken the easy, obvious choice and it would have been fine, and instead they were just a little more thoughtful and a little more creative and it shows.

They could have just had Pelia push a secret button to reveal her stash of alien tech, and that probably would have been fine. Instead they show her as this woman who's very smart and obviously immortal but otherwise...just a person living through history, which is so much better. Imagining the 250 years between the present and when she's one of the most famous engineers in the fleet is fun.

They could have had the Romulan agent just be a cold, ruthless assassin from the future who's here to get the job done, and that would have been fine. Instead she's this slightly unhinged woman, trapped out of time, stuck undercover on an alien world for thirty years on a mission that she's not sure exists anymore and I love the way she starts losing it at the end, that she just wants to kill this kid and be done with it.

They could have cast Khan as a hot 20 something available in the Toronto area and had him to a Ricardo Montalbán impression and give us a tense standoff, and I would have been annoyed at that, but it probably would have been fine. Instead they show us an actual child, and remind is that Khan was a horrifying monster, but he was created by a world with monsters of its own, monsters who built a child in a laboratory and raised him in a basement, and suddenly its a piece of implied context made explicit that I didn't even know I wanted.

And of course they could have just had Kirk agree to fix the timeline because its the right thing to do, or because he loves La`an, or because...honestly, because the plot has to happen, this is something that so many stories would just gloss over to keep the story moving. And instead we get one line, "Sam's alive?" and my heart jumped to my throat a little bit and immediately we understand why he's willing to go through with this.

I'm really really impressed with the writers on this episode.

Did she leave that gun with that little boy?

Wait what's this? Star Trek writers can still create a time travel story that wraps up in an episode (or two) instead of lasting a whole 10 episodes of nothing?!

And they can weave in minor plot points from previous episodes to give it continuity without feeling forced?

How can this be?

Okay there was a lot that worked for me in that episode. The amazing decision to have Pelia knowing nothing about engineering to being a veteran warp core engineer in 200 years. Going for child Khan and really leaning into the fucked up reality that these children were science experiments kept locked in basements for the first time in the franchise? The reminder that Toronto is actually pretty damn photogenic when it's not shot on a CW budget.

And you know what? Paul Wesley doesn't have Kirks voice, and the script still doesn't quite sound right, but he's got the Kirk delivery really nailed. He doesn't sound like Shatner, but he sounds like Kirk

I would like to see a Short Trek of what went down during that 16hr+ road trip with Kirk & La'An

I thought this episode was fantastic.

The pacing was good, the interactions between Kirk and La'an were fun, and the closing acts were a real gut wrench. Being forced through such a traumatic situation and completely unable to talk with anyone about it is a piece of the time travel/Prime Directive secrecy that Star Trek hasn't really dug it's teeth into before, and there's clearly something very powerful to work with here.

Also, hilarious use of their immortal chief engineer. In retrospect, no surprise that someone in that position wouldn't maintain exactly the same hobbies and skills throughout the centuries, and also no real shock that this particular individual got her jollies stealing priceless artwork. And then arguing statute of limitations when she is challenged on it centuries later? Brilliant.

I do not give the slightest of damns about a TOS one-liner placing Kahn in the 1990s. This is a good story which wouldn't work properly otherwise, and that was a poor choice from writers who couldn't have possibly known better. Absolutely do not care, and so much happier for it.

After a fairly meh first episode, SNW S2 has reeled off a pair of real bangers. Looking forward to the next installment.

I love that Kirk had to die saving his own worst enemy so that the Federation could exist.

Kirk was superb, I don't think I could have accepted the car scene if it was anyone else. It's Kirk, of course he's going to drive like a nutter. I was genuinely shocked when he got shot. I thought there couldn't possibly be a way for him to make it but they still got me.

La'an has grown on me so much, she was the one I was most dubious about in the early episodes of season one. I felt really sorry for her at the end, losing Kirk and being unable to talk to anyone about what she's experienced. She's gone through some pretty serious trauma already due to her genes and name and now she's had to go through this pure insanity. I wonder what the significance of the watch is.

Did anyone else catch what looked like an unspoken, knowing look from Pelia when La'an appeared on the bridge after returning? Does Pelia somehow remember their prior encounter on Earth? Is it explicit, or more like the way Guinan would have an intuition, or a subliminal feeling? Or did I imagine that?

Random thoughts as I watch (cross-posted from the old place):

• Wow, first that outburst, and then Spock jams too much. Truly in his wild child phase.

• BTW, was that a Denobulan?

• Pelia totally worried that this whole utopia thing just a passing trend. And hilariously having to prove (?) she isn't a thief.

• They really are taking advantage of Babs O's Jiu-Jitsu training this year, aren't they?

• Captain James T. Kirk, the greatest menace of Temporal Investigations!

• Oh boy, alternate timeline where the Federation doesn't exist time!

• "Maple leaves, politeness, poutine."

• Clever distraction.

• I wonder if 3D chess is a thing in the United Earth Fleet timeline, because Kirk is good at the 2D in it.

• Okay, I guess they do have 3D Chess.

• I generally try not to be like this... but goddamn I'd like to thank them for having Christina Chong in various states of tight clothing and undress.

• Good thing the time travel guy went to the ship Sam Kirk was on.

• Oh man, I was looking forward to driving across Lake Ontario to Toronto (presumably from Rochester or Buffalo or something, right?), which totally would be a logical economic and engineering choice, I'm sure!

• Mildly annoyed that Kirk doesn't drive to Beastie Boys.

• James Discreet Kirk

• Soongs gonna break in even to the timelines and series they aren't in.

• Jim Discretion Kirk

• OH FUCK ROMULANS

• We have gone (zero) days without Romulans trying to screw up the timeline.

• Probably the first time that DuckDuckGo has been mentioned in Star Trek.

• Yeah, Pythagoras is the worst, Pelia.

• Oh, so this is a predestination paradox where they make her become an engineer and as a result she is there to inspire La'An to go look for her later.

• KHAAAAAAANNNNNNNNNNNNNNNNN! KHAAAAANNNNNNNNN! (Or at least the institute for him)

• To be fair, this is like the third face that Captain Kirk has had.

• We have gone (ZERO) days without a time-travelling Romulan that had to ditch the ears.

• We have gone (ZERO) days without (a) Captain Kirk dying. We're three-for-three on Kirk actor deaths, folks!

• KHAAAAAAAAAANNNN! KHAAAAAAANNNN! KHAAAAAAANNNNNN!

• THEY CAME UP WITH AN EXPLANATION WHY THE EUGENICS WARS DIDN'T HAPPEN IN THE 90'S! THE MAD LADS DID IT!

• Face to face with great-great-great-great grandpa Baby Genetics-Hitler.

• Oh, great, temporal investigations. No wonder they hate Kirk so much, even his alternate versions screw stuff around.

• Good ep. Way better than it sounded when I first heard about it.

I liked Wesley in "A Quality of Mercy" but hot damn, he nailed it here. He is easy to recognize as Kirk and yet is borrowing very little from Shatner's performance. Wesley has managed to "echo" Kirk in a way that Peck and Gooding haven't quite dialed in yet for their characters.

It's funny—given that in both appearances he has depicted an "alternate" Kirk, he's had some built-in leeway to miss the mark and still be credible. He doesn't need it. This man can play Kirk.

I really like Paul Wesley's portrayal and the way Kirk is written. Honestly I can imagine this as a TOS episode with Shatner and co. Some more thoughts:

While I was not sure about the chemistry between the two main characters, I bought into their romance and I especially liked the final scene with La'an: it was an earned moment and the actress was very effective in her delivery. I wish the two had spent some more time talking about what reality they should preserve but I guess saving your brother's life is a good enough reason to risk everything. I would've done the same, tbh. Time shenanigans needn't be explained, honestly I can believe that the Augment Wars were so destructive that we don't know many things about the period; could've been in the 90s, could've been in the 21st century, there are real life examples of such gaps in the historical record, after all (and don't tell me Sarah Silverman was around for the rise of Khan). Still, a welcome reference.

I love Pelia, the accent, the delivery, the character backstory, it's all really good and she is a very nice addition to the cast. I laughed when she didn't know anything about engineering but it makes perfect sense. Imagine going back in time and asking a 10 year old Einstein to explain relativity to you!

With the positive out of the way, I have to say that I liked the first half of the episode more than the second for the following reasons:

I think they broke into that facility pretty easily. Why did the door open in response to La'an's DNA? Isn't Khan just a little kid? Can he enter and leave as he pleases? I thought he was like an experiment they are trying to keep under wraps.

I did not like the antagonist lady and I especially don't like the suggestion that Romulans have been secretly trying to keep humanity from reaching greatness. I always thought that one of the most important messages in the franchise was that humans were able to rise above their flaws and create a utopia but now it's the Romulans who were keeping us down and we managed to reach the stars even against these odds. How inherently great humanity is... Not a good message, imo, but perhaps the antagonist lady was simply exaggerating.

Overall a good episode. Kinda lost me in the second half but the final scene was a strong conclusion. Honestly, I can see myself re-watching this in the future.

I didn’t expect to like this episode as much as I did.

Wesley’s Kirk is growing on me, and I give the EPs credit for using the alternate timeline Kirk’s to let his performance coalesce. I also like the deft weaving of the crazy car driving, heartbreaker Kirk with the think five steps ahead genius that he also had to be.

The acknowledgement in-universe that the timeline and humanity’s development has been interfered with is entirely credible given the accretion of temporal incidents across every era of the franchise.

I’m not sure how I feel about it giving comfort to those who feel so strongly that this isn’t the same timeline as the original TOS one. (I see some chortling on this point elsewhere.) Likely the temporal physics of this is best left for a deep dive /c/Daystrom Institute discussion, but I prefer hold to a view that this is absolutely still the same Prime timeline but that the timeline itself has been perturbed repeatedly even if the key events have kept their integrity. In fact, the Romulan temporal agent, while not a reliable narrator, gave credence to the idea that the Prime timeline had proven unexpectedly robust against major intervention by humanity’s enemies.

I was delighted to see DTI show up and be named. It seems all of a piece of DTI’s rigidity that they would leave La’an alone to deal with the trauma. It does however mirror Pike’s own experience in sealing his future with the time crystal. One senses that there must be some kind of intersection or mutual revelation to come, leaving aside the Chekhov’s gun of the temporally dislocated watch.

Knowing that Anson Mount had to relocate to Toronto with his wife and newborn explains why episodes featuring others in the ensemble were front loaded for this season. He’d said before he committed to the show that creative conversations would be needed as he wasn’t wishing to repeat the production experience he had in Discovery season two. A creative conversation with the EPs that limits a principal character’s presence is fairly extraordinary, but Mount seems to have done it in a way that’s generous to the rest of the ensemble.

With an ensemble so strong, and as we didn’t see as much of Chapel or Una as we would have liked last season, I’m fine with waiting to see more Pike later in the season. It sounds as though we have a Spock focused and an Ortegas to come before some big ensemble pieces in the back half.

A little remarked side effect of time travel is that it causes infatuation (Kirk, in "City on the Edge of Forever") and horniness (Spock, in "All Our Yesterdays"). La’An experienced both!

Edit: I forgot about Bashir and Jadzia in "Trials and Tribble-ations" but honestly they just seemed to be acting in character!

Also it feels kind of significant that they finally dropped the word socialist on screen to describe the Federation? They've always danced around it before, but I'm glad they finally made it explicit, even in an off hand way. It helps make the Federation feel less "magical" and more like something that people who existed in history, connected to both the past and the future, had to actually build

Ah, well I had a more thorough comment typed out, but unfortunately that was on the thread that got locked and the app I'm using on mobile ate my response when it failed to post.

The gist of it though was that I was pleasantly surprised by this episode, as I'm not usually one for the time travel themes. The ending was painful (as in, the writing was very well done) to watch and hit me harder than I expected!

And it was also cool for them to reference DDG instead of Google, I'd be happy to see that sort of thing happen more often on TV.

This was definitely my favourite episode of the season, and possibly of the series. I thought Kirk was badly cast, but actually after seeing him in this episode, I get it. He is not our Kirk, but he actually does bring something very Kirk-ish to the role that I hadn't appreciated previously.

Copied and pasted from my comment on the original thread that is still in my profile (I'd noticed something was up with the previous post but figured it would clear up with time)

Nice character episode with a simple premise and a good amount of Pelia!

I’ve always thought Trek is at its worst or riskiest when doing time travel stuff, but the tone and focus of this episode being on La’an and her relationship to her heritage really centered the episode. In a way it was a subtle, but strong, IMO, character driven plot point to have her struggle with finding for once a real intimate connection with someone destined to be lost and “forgotten”.

Having Kahn appear as a child was low-key wonderful.

What’s up with the watch? Is there more to Pelia than meets the eye? Seems she’s conveniently forced herself and her myriad belongings onto the ship for this particular time period while also (and I forget what Trek’s take on time travel is here) knowing about that watch being on board at this point … ?!

Anyone else feeling a certain lack of Pike in the first 3 episodes? Not against it, it just seems somewhat conspicuous given that I imagine the character is half of the reason the show exists.

I'm just kinda thrilled to see Canada in the Star Trek universe. Obviously they've been doing a bunch of filming out of Toronto so technically we have seen it, but it's nice for them to sidestep the fact that 99% of the time they get thrown into Earth's past and they end up in California. Kirk "recognizing" the city as New York was a cute touch given how often Toronto doubles for it. Also technically I guess this means that the greatest tyrant in Earth's history technically is canonically Canadian too.

Kirk being a chess hustler was cute too, explaining how he's able to keep up when playing Spock in TOS.

Aside from that, the episode was fine. I like seeing La'an getting some development, and seeing her spar with M'Benga (and getting beaten) was nice since it justifies him being actually kind of a badass, and makes the fight scenes in the first episode of the season more reasonable. Also a bit more behind the curtain of Pelia.

A lot of the episode was just goofy "man out of time" stuff, which is cute in its own right but doesn't really add a ton. But it was entertaining and fun, and worth watching again, so I'm still calling it a winner.

Great episode, this seasons is just getting better every week.

Am I confused or is this a Star Trek “sub lemmy” that is super active? Is this an rss feed from Reddit or something?

If this is already this active, then fuck yeah lol

When the cab pulled up to Pelia's cabin I initially wondered how they got across the border, and then La'an mentions they bribed a border guard. Pretty good save there. You know it would've ended up in someone's plot hole YouTube video, or a clickbait ScreenRant article if they didn't cover that.

This was another solid episode; even though the ending was gut wrenching. Who would have thought that a writer would shoehorn a ship between Kirk and the descendent of his greatest nemesis. I really love this series.

It was a fun ride overall. Especially with Kirk basically treating the mission as a field trip for the first 20 minutes. I'm glad I didn't completely jumped ship after Paul Wesley's incredibly wooden delivery of "oh my god, what have you done" nearly broke me. Meanwhile, the romance felt forced and rushed to me, so I didn't feel much at the end. But the most shocking reveal to me: George Kirk... is apparently still on the Enterprise?!

This episode was fantastic. Christina Chong's performance hit me in a way that a Trek performance hasn't since Connor Trinneer at the end of Terra Prime.

I ended up liking this a lot. For one, I'm glad Pelia really is a part of the cast now because I LOVED her introduction and was fearful she'd be a one-and-done character.

But secondly, in the past all I could see with La'an was (as someone else said) "a budget Camina Drummer". And I love Drummer, but seeing almost!Drummer every time La'an was on screen was so fricking weird.

I think this episode gave La'an some of the development she needed so I wasn't seeing almost!Drummer all the time.

(And for those who don't know Drummer is...go watch The Expanse. It's as if the new (is it still considered new?) Battlestar Galactica and Star Trek had a baby. One part grittier sci-fi universe, one part wonderful character/crew exploration.)

So far, it's my favourite episode of the season.

repost my original comment from last night's failed thread:

Canon purists are making leaps about the placement of the eugenics wars. Sounds to me like they’re blaming the Temporal Cold War for changing things.

Must be pre USS Relativity time agency…

Fun episode, but the gymnastics to tell Kirk stories without impacting TOS is getting a bit obvious, this is our 2nd alternate Kirk

Pretty solid episode. Usually I dislike time travel episodes but this one worked given that it gave La'an opportunity for character development and the beginning of closure. I was a little worried that were edging back towards the temporal Cold War plot thread from Enterprise with the ending. Hopefully they will stay well clear of it.

One thing is the last 3 episodes in terms of content have felt like they belong in the back half of season 1. Not that it is bad thing, but there is the feeling that we are waiting for the season proper to kick off.