ValueSubtracted

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[–] ValueSubtracted@startrek.website 10 points 8 months ago (2 children)

The Breen might have the ability to destroy the Archive, but with Discovery gone, it wouldn’t gain them anything and how ever long it took them would be time lost for chasing Discovery.

That's a hell of a gamble if your objective is to protect civilians (and likely a gamble they would lose, considering the Breen's actions).

why didn’t Discovery prepare a fake clue?

I think the answer is the same - it's not something you want to screw around with if you're trying to save lives.

Once again, I can confirm that this giveaway is legitimate - good luck!

I thought the "challenge" was a little on the obvious side, but then it's the sort of thing that would be obvious to someone not undergoing it.

Book's reaction to the Kweijian artifact was probably David Ajala's best work on the series so far, really great stuff.

Moll usurped the Primarch perhaps a little too easily, but I like Eve Harlow's performance enough that I really don't care.

Lastly, it's a small thing, but I thought the Badlands looked really great. They finally seem as hellish as they've always been described.

I found it unexpectedly upsetting when the shelving was taking hits from the Breen.

 

LoglineWhen Captain Burnham is trapped within a “mindscape” designed to test her worthiness to retrieve the Progenitor’s powerful technology, Book, Rayner, and the crew of the U.S.S. Discovery must hold off the Breen long enough for her to escape.

Written by: Lauren Wilkinson & Eric J. Robbins

Directed by: Emmanuel Osei-Kuffour

 

The Winnipeg Humane Society is accepting emergency donations to help deal with this situation.

When it's to help someone save face, it's a totally different scenario - everyone knows that!

[–] ValueSubtracted@startrek.website 4 points 8 months ago (2 children)

Vulcans lie all the time.

When Vulcans do it, it's called "hallucinating".

[–] ValueSubtracted@startrek.website 6 points 8 months ago (2 children)

This is the first mention of a sa-te kru on screen, but the cat like predator from Vulcan/Ni’Var originated in a six page comic called “When Worlds Collide: Spock Confronts the Ultimate Challenge” written by Alex Kurtzman and Robert Orci, and drawn by Paul Pope that was published in a 2009 issue of “Wired”.

Okay, deep cut to something I didn't know existed...

[–] ValueSubtracted@startrek.website 4 points 8 months ago (1 children)

I'll try to be quicker next time!

I'm seeing speculation all over the map, so I'm going to withhold judgment.

Is it wise casting a drag queen as a villain given all the anti-drag queen sentiment?

Gosh, what a loaded question! I think it ultimately boils down to a question of representation - these things shouldn't be a problem in isolation, but they can be a problem if it's part of a greater pattern. It does sound like Davies is intent on weaving queerness throughout all aspects of this series, so that will probably make a difference.

I was convinced the lost chord was going to be the mystery chord that opens A Hard Day’s Night.

I had the legendary chord from "A Day in the Life" in mind, which of course isn't really possible on a single piano (at least, not to its full effect).

[–] ValueSubtracted@startrek.website 2 points 8 months ago (1 children)

It does sound like they're retaining the Star Trek license in some form - I wonder if that will include ships, and they just can't talk about it yet.

[–] ValueSubtracted@startrek.website 3 points 8 months ago (1 children)

One thing that always bugged me about the mystery of the Breen is that it shouldn't actually be a mystery - Kira and Dukat take the refridgeration suits off a couple of Breen in "Indiscretion."

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