this post was submitted on 22 Sep 2024
11 points (100.0% liked)

Music Production

554 readers
1 users here now

This is Music Production. A place to share anything and everything you want about your music making journey! Learning is the goal, so discussion is encouraged!

RIP Waveform.

Rules are as follows:

  1. Don't share other people's music without commentary, analysis or questions. This is not a music discovery community.
  2. No elitism or bigotry towards other people's music tastes. Be polite in disagreement.

I will update rules as necessary, but I promise we'll stay light on them and only add new ones after discussion!

Here are some useful examples of what a great post would be about:

(in no particular order)

  1. Stuff you made/are making. Get valuable feedback and criticism!
  2. Learning resources - videos, articles, posts on any topic concerning a production process, be it composition, sound design, sampling, mixing, mastering, DAW workflow or any other.
  3. Free plugins, presets and samplepacks. Giveaways and self-made stuff included!
  4. News about production software, releases and personalities.
  5. Questions and general advice about music production.
  6. Essays on your favorite productions. Inspirations and insights!
  7. Your physical analog gear! Let us know how it performs!

Good to know: As a general word of caution, avoid posting complete compositions, mixes and tracks on the internet before backing them up on a remote and reputable server. Even small snippets or watermarked tracks should be posted AFTER backing it up to cloud. Timestamps from cloud services will help you in case of theft. And, as a public resource, lemmy is not a safe place to post your unpublished work, so please make sure your work is protected.

founded 1 year ago
MODERATORS
 

I'm wondering if the attack of sounds can be generally modulated after the fact to an arbitrary audio file and similarly for a piano-pedal sustain type effect.

Can they be gradually and arbitrarily modulated?

top 4 comments
sorted by: hot top controversial new old
[–] Ephera@lemmy.ml 5 points 1 month ago

I'm a noob, but I think it's this thing: https://en.wikipedia.org/wiki/Envelope_(music)

[–] SturgiesYrFase@lemmy.ml 5 points 1 month ago

What DAW are you using?

For staccato, DAW agnostic method is to mess with the envelope ADSR. Make the Attack short, Decay high, Sustain short and Release short.
Another option is to manually edit the sample, cutting it to the length you want it, or just a bit longer and then lowering the Velocity of the sample quickly at the end. This is done slightly differently in every DAW.
Another nother option is to use a gate.

Sustain is a little bit trickier. You can again mess with the ADSR until you get the kind of sustained note you'd like. If that's not quite working, sometimes I find that using delay and reverb together can give a close approximate to a sustain pedal on a piano.

[–] arendleejessurun@kbin.earth 2 points 1 month ago

If I understand the question rightly, the only way I know how to effect audio (as opposed to MIDI) in such a way is to use a dynamics processor of some sort. I'd first reach for a transient shaper, which listens to the volume envelope of an audio signal, and these typically have a knob for attack and sustain. For a more staccato sound, I'd lower the sustain, and vice-versa. Alternatively or in addition to the former processor, I might use a gate if I wanted more silence between notes, and I might use its opposite, a compressor, to bring up lower-level sustain. None of these processes will to change a performance, however.

[–] bstix@feddit.dk 2 points 1 month ago

Yes, but only to some degree and very dependent on the source sound. A volume envelope can be applied to any sound. Some DAWs have ways of adjusting the transients by time stretching. Sustain can be tricky to do.

Is there anything specific you want to do?