this post was submitted on 16 Feb 2024
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Here's a list of tons of leftist movies.
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I think Sorry is supposed to be somewhat autobiographical, Riley was a broke indie artist, his work got popular enough that he could "sell out", he did for a bit but got grossed out by it and quit, now he's back to being an indie artist but he's a bit more mature and smart now and can capitalize on his work enough to live decently without full on selling out, but even when he's "independent" he's still a slave to capitalism, hence the final transformation into a horse. I think making it arms dealing and not writing for HBO or whatever was just some hyperbole to get the point across. At least that's what I think he's getting at if I had to guess.
It would be a symbol but also an empty one. He's still back in the garage, I think him remodeling it is more meant to be a sign that he's taking shit more seriously now, just because he's not loaded anymore doesn't mean he has to be a slob. If I talked some guy who worked at Northrop Grumman into quitting his job and he moved out of his condo into a studio on the bad side of town I wouldn't exactly berate him for bringing his Playstation and electric toothbrush. But also he still turns into a horse at the end, which could be a sign that Riley actually AGREES with you, Cash still hung on to the trappings of his bourgeois life and it corrupted him? Idk there's various ways you could read it.