this post was submitted on 20 Oct 2023
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Which sequels/prequels/spinoffs made the originals somehow worse? (discuss.tchncs.de)
submitted 1 year ago* (last edited 1 year ago) by exocortex@discuss.tchncs.de to c/movies@lemmy.world
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The Matrix is an often used example, but for me it's the Alien Prequels - especially Alien: Covenant really makes the Original Alien much worse. When the original was released in 1979 it had the perfect Monster. A dangerous killing machine of unknown origin. The missing background of the alien is a big part of its scary mess. It's a blank space in its mythology that the viewer can fill with many explanations. As these explanations are not precise they don't have to be logically coherent.

Covenant (and to a lesser degree Prometeus) wanted to fill this blank space and tell us the aliens origin. But once you fill out this missing piece of information it is fixed and can only be one piece. There exists now only one singular explanation. And its a boring: The Xenomorph is basically a creature with it's origins on earth (because David, who's origin is on earth created it).

I find this hugely dissapointing. The biggest dangers of deep space are all human in origin is extremely small minded.

(Star Trek: Beyond had the same boring plot - the mysterious villain turned out to be a human after all. As if only humans are capable to pose (or create) a serious thread to humans.).

What are your examples for franchise-movies that somehow made the original worse?

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[–] TheControlled@lemmy.world 2 points 1 year ago (1 children)

The only people I've met that think that watched 2049 first. Not that they don't like it, but not like it more.

[–] beefcat@lemmy.world 1 points 1 year ago* (last edited 1 year ago)

i was a fan of the original for many years before the sequel came out and i still think 2049 is the better movie.

it manages to expand on the themes of the original without succumbing to sequel-itis or feeling like a re-tread. it does not over-use legacy characters. and the big one for me is how much the sequel improves on the original’s pacing without sacrificing that slow methodical burn it was famous for.