It’s beyond time that readers and consumers of all cultural output recognise the cost of creating cultural material. If we want authors to survive, we’ve got to stop assuming that authors’ intellectual labour is a public commodity. In the broader context of current generative AI discussions, I think our whole community is fed up with short-sighted arguments that aim to justify the ripping off of authors – whose earnings sit at an average of $18,200 per year.

For the record, the national minimum wage in Australia is $45,905 per year.

It's so disingenuous. Authors are not making so little because of library sharing or internet sharing. They're making that little because publishers take the largest cut and have a stranglehold on publishing. 🙄

[–] SineSwiper@discuss.tchncs.de 8 points 1 year ago

There is also an incredibly huge saturation of authors, musicians, actors, artists, and other creatives that all expect to make it a career. It's far from realistic, and the stripping down of public domain through many decades of shady copyright extension laws have just been propping up this house of cards, at the expense of the public that deserves it.

For the past 20 years or so, especially with the Internet accelerating the process, people are starting to realize that these are not good career choices, and these industries will turn into mostly free hobbies, based on their passion to create.

Even now, I can throw a stick at some random artist on Bandcamp, and find great music for free who has barely any subscribers. Why spend $15 for a CD? Why spend money on royalties for using music on a video, when so many artists give it out copyright free?